Eric Hillis
Film Review: The Land of Ahimsa
The ancient Indian concept of ahimsa is central to many of the region’s religion…
Film Review: No Ordinary Campaign
In 2014, the internet was awash with clips of people pouring buckets of ice wate…
Film Review: EO
Anyone still suffering nightmares because of a childhood viewing of Bambi may wi…
Film Review: More Than Ever
Since her breakout role in Paul Thomas Anderson’s Phantom Thread, Vicky Krieps h…
Film Review: Tori and Lokita
Belgian filmmakers Luc and Jean-Pierre Dardenne have spent their careers making …
Film Review: Corsage
Many viewers may take issue with the attitude of the main subject of Corsage, Ma…
Film Review: Utama
Utama, which has been chosen as Bolivia’s Academy Awards submis-sion, opens with…
Film Review: No Bears
Despite being the subject of a filmmaking ban imposed by the Iranian government,…
Film Review: The Other Tom
Filmmakers Laura Santullo and Rodrigo Plá, who are Uruguayans based in Mexico, c…
Film Review: Girl Picture
Mimmi (Aamu Milnoff), Rönkkö (Eleonoora Kauhanen), and Emma (Lineea Leino) are a…
Film Review: A Sexplanation
Director Alex Liu opens his documentary with a quote from the actress Marlene Di…
Film Review: We Burn Like This
When an angry man throws a beer bottle from his truck and yells “Go back to your…
Film Review: Royalty Free
Kevin MacLeod is a composer with more IMDB credits than John Williams, Ennio Mor…
Film Review: Bad Axe
2020 wasn’t a great year for Asian-Americans in the hospitality trade. Forced to…